Jeff Muhlstock is a cinematographer, Steadicam operator, and camera operator whose career spans more than three decades across feature films, television, streaming productions, documentaries, and live broadcasts.
A four-time Emmy Award winner for his Steadicam work and a three-time Peabody Award recipient, Muhlstock has built a distinguished body of work that bridges both cinematography and camera operating at the highest levels of the industry. He has served as Director of Photography on feature films and streaming series while continuing to work as one of the industry's most respected camera and Steadicam operators.
Recent cinematography credits include Edward Burns' Finnegan's Foursome and James Gray's Paper Tiger (Second Unit Director of Photography), while his camera operating and Steadicam work has contributed to numerous acclaimed feature films and premium television series.
Whether serving as Director of Photography, Camera Operator, or Steadicam Operator, Muhlstock brings a deep understanding of visual storytelling, performance, and camera movement to every project. His work is defined by a commitment to creating imagery that supports character, enhances narrative, and serves the director's vision.
Muhlstock is a member of the Society of Camera Operators (SOC) and IATSE Local 600.
Critical Praise for Cinematography
Finnegan's Foursome (2026)
“The other standout here is cinematographer Jeff Muhlstock, who perhaps understands the assignment best of all.”
“…the stunning vistas feel welcoming and inclusive. He captures the coastal courses and impossibly gorgeous green(s) of Ireland so beautifully, he turns the film into a mini-vacation for us, too.”
— Elizabeth Weitzman, TheWrap
"That includes some gorgeous golf courses, captured with a loving eye by cinematographer Jeff Muhlstock. (Burns has been making movies since the 1990s, and this may be his most elegantly shot film to date.)".
- Christian Toto, Hollywood in Toto
“Finnegan’s Foursome” is structured as a sports movie, and Burns, working with the cinematographer Jeff Muhlstock, connects you to the geometric majesty of the links."
— Owen Gleiberman, Variety
“Burns remains a confident filmmaker who alongside his cinematographer, Jeff Muhlstock, finds great success in emphasizing the natural beauty of the Irish countryside.”
— Carbonated Cinema
“Muhlstock's dizzying, sweeping camera work puts the audience directly on the field with the golfers themselves...”
— Carbonated Cinema
“Burns, cinematographer Jeff Muhlstock and editor Janet Gaynor work in lockstep to convey the game creatively and diversify the proceedings.”
— Film Yap
"...the visuals are absolutely breathtaking. Cinematographer Jeff Muhlstock captures the stunning natural beauty of Ireland’s finest courses"
- Travis Hopson / Roger Ebert.com
"Jeff Muhlstock’s cinematography is breathtaking"
- Anthony Francis, The Movie Revue
MUHLSTOCK Full Resume 26 (pdf)
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2026 Completed work as A-Camera/Steadicam Operator on the new action/ thriller feature, "Zero Protocol"
2026 Completed work in Ireland as Director of Photography on the feature film "Finnegan's Foursome"
World Premiere @Tribeca Festival June 7th and Streaming June 19th.
2026 Completed work as A-Camera/Steadicam Operator for the NJ unit of
Ron Howard's "Alone at Dawn"
2025 Worked as Second Unit Director of Photography for The James Grey feature film: "Paper Tiger"
2025 Completed work as A-Camera/Steadicam & Gimbal Operator on the feature film, "The Family McMullen"
2024 Completed work as A-Camera and second Director of Photography on "Millers in Marriage"
2023-24 Worked as A-Camera/Steadicam & Gimbal Operator for Apple TVs show staring Billy Crystal: "Before"
2023 Worked as A-Camera/Steadicam & Gimbal Operator on the Pilot of "Elsbeth" for CBS
2022 Worked as A-Camera/Steadicam & Gimbal Operator for the Apple TV + show:
2020-21 Completed my second season as Director of Photography and Steadicam operator on “Bridge and Tunnel”. Directed by Ed Burns for EPIX/MGM https://www.youtube.com/watch?v=CyHXV7YPTIY
2019-2021 Worked as A-Camera/Steadicam Operator on NETFLIX’s limited series, “Hit and Run”
https://www.youtube.com/watch?v=pW080M25WcY
Nominated By the SOC for 2019 TV Camera Operator of The Year
2019 Completed the 4th and final season of Mr. Robot as
A-Camera/Steadicam Operator
https://www.youtube.com/watch?v=vAY6JhuOlqA
2018 Completed work as A-Camera/Steadicam Operator on Liam Neeson’s
movie: “Honest Thief”
https://www.youtube.com/watch?v=ZUIEOMOxIDo
2018 Worked as A-Camera/Steadicam Operator for the first season of "Manifest"
2017 Worked as A-Camera/Steadicam Operator on season 2 of
Amazon’s “Sneaky Pete”
2017-18 Worked as A-Camera/Steadicam Operator for the season 1& 2 of
Amazon’s “The Tick”
2016-17 Worked as A-Camera/Steadicam Operator for season 2 of "Quantico"
2015-16 Worked as A-Camera/Steadicam Operator for Baz Luhrmann’s
“The Get Down” for Netflix original series.
2014-15 Completed work as A-Camera/Steadicam Operator on the first season of TNT/Amblin’s “Public Morals” Directed by Ed Burns and Produced by Steven Spielberg.
2014 Completed work as A-Camera/Steadicam Operator with
Martin Scorsese on his HBO pilot: “Vinyl”.
Nominated By the SOC for 2013 TV Camera Operator of The Year
2011-13 A-Camera Operator/Steadicam, for the entire series (2 Seasons) on
Steven Spielberg’s “Smash”, for NBC/Dreamworks.
2012 Worked as A-Camera operator/Steadicam, on the
New Orleans unit of Percy Jackson: Sea of Monsters.
2011 Worked as A-Camera operator/Steadicam on “Captain America” NY unit.
This is the Steadicam oner that was submitted for the SOC voting clip from season 4 episode 5 of “Mr Robot”
This is a few clips from Mr. Robot season 4 along with behind the scenes split screen of the same shot:
Here is a 4 minute compilation of Mr Robots Cinematography from season 4. Some of the most unique and challenging operating of my career. DP: Todd Cambell
https://www.youtube.com/watch?v=vAY6JhuOlqA
This is my work featured on Baz Luhrmann’s project. The Get Down from Netflix, here is the sizzle reel:
Here are 2, 3 minute Oners from the TNT series “Public Morals”, Directed by Ed Burns and Produced by Steven Spielbeg:
Here is a link to a 5 minute, uncut, single shot of a performance that aired LIVE during the NBC Hurricane Sandy benefit show:
Here is a short clip from my work on Captain America, I shot the entire end sequence in NYC:
Here is a trailer from The NBC series Smash, Produced by Steven Spielberg. I was the A-Camera operator for the entire 2 seasons.
Steadicam custom model MK-V/XCS/PRO 4 Stage 2” super post (onboard,timely super low & super high modes) (4 minute transitions)
BETZ WAVE
AR/Omega and Gimbal ready Rig
"Trinity" mode available with Ronin mounted on Steadicam
Ronin 2 Gimbal with DJI Master Wheels.
DJO Force Pro & Remote control
https://www.dji.com/ronin-2?site=brandsite&from=landing_page
Raptor Z PRO - Vertical dampening system
15kg & 25kg vibration isolaters
https://customeasy.org/raptor-z-pro
Preston Cinema Wireless FIZ system
Teradek Bolt Pro 10K HD Wireless Transmitter/ 2 Receiver kit
“Rickshaw” with Hard mounting “Garfield” mount or vertical assembly to speed rail, Steadicam and Ronin mountable.
Tilta “Armor man 3”
https://tilta.com/shop/armor-man-3-0-gimbal-support-system/
“EZ RIG”
"Readyrig" fully equipped with Blkbrd "Mantis"
Full assortment of standard & custom accessories.
EDUCATION
SCHOOL OF VISUAL ARTS
Bachelor of Fine Arts Degree - Film Major 1986
Member:
SOC, SOA , IA 600, IBEW 1212, A.T.A.S.
Awards:
3 Peabody's, 3 Emmys, 8 Emmy nominations,
SOC nominated “TV Camera Operator of the year “2013
SOC nominated “TV Camera Operator of the year “2019
HEIGHT: 6 Ft
*Garrett Brown Trained 1990 SOA workshop

Quick change mode Steadicam setup with an Alexa 35 or 265. Included on the build is the Betz, "Wave" for automated horizon. This setup can change modes and flip to Ronin, Handheld or studio in less then 2 minutes. True, plug and play!

The latest Arri 265 built on a Ronin 2 working on a dolly offset. This setup rolls around extremely smoothly on reasonable flooring. Also, shown here in quick change mode.

Ronin mounted to Steadicam for unique "Trinity" mode style shot making.

Ronin is hard mounted to a rickshaw for smooth tracking shots on less then perfect surfaces.
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