Resume timeline / Links:
Completed work as A-Camera/Steadicam & Gimbal Operator on the feature film, "The McMullen Family"
Completed work in Ireland as Director of Photography on "Finnegan's Foursome"
Completed work as A-Camera/Steadicam & Gimbal Operator and second Director of Photography on "Millers in Marrage"
Worked as A-Camera/Steadicam & Gimbal Operator for the new Apple TV + show:
Worked as A-Camera/Steadicam & Gimbal Operator for the new Apple TV + show:
Completed my second season as Director of Photography and Steadicam operator on “Bridge and Tunnel”. Directed by Ed Burns for EPIX/MGM https://www.youtube.com/watch?v=4D7v-iWCFbY
Worked as A-Camera/Steadicam Operator on NETFLIX’s limited series, “Hit and Run”
https://www.youtube.com/watch?v=pW080M25WcY
Nominated By the SOC for 2019 TV Camera Operator of The Year
Completed the 4th and final season of Mr. Robot as
A-Camera/Steadicam Operator
https://www.youtube.com/watch?v=vAY6JhuOlqA
Completed work as A-Camera/Steadicam Operator on Liam Neeson’s
movie: “Honest Thief”
https://www.youtube.com/watch?v=ZUIEOMOxIDo
Worked as A-Camera/Steadicam Operator on season 2 of
Amazon’s “Sneaky Pete”
Worked as A-Camera/Steadicam Operator for the season 1& 2 of
Amazon’s “The Tick”
Worked as A-Camera/Steadicam Operator for the first season of
Baz Luhrmann’s “The Get Down” for Netflix original series.
Completed work as A-Camera/Steadicam Operator on the first season of TNT/Amblin’s “Public Morals” Directed by Ed Burns and Produced by Steven Spielberg.
Completed work as A-Camera/Steadicam Operator with
Martin Scorsese on his HBO pilot: “Vinyl”.
Nominated By the SOC for 2013 TV Camera Operator of The Year
A-Camera Operator/Steadicam, for the entire series (2 Seasons) on
Steven Spielberg’s “Smash”, for NBC/Dreamworks.
Worked as A-Camera operator/Steadicam, on the
New Orleans unit of Percy Jackson: Sea of Monsters.
Worked as A-Camera operator/Steadicam on “Captain America” NY unit.
Some Equipment setups
Quick change mode Steadicam setup with an Alexa 35. Included on the build is the Betz, "Wave" for automated horizon. This setup can change modes and flip to Ronin, Handheld or studio in less then 2 minutes. True, plug and play!
The latest Arri 265 built on a Ronin 2 working on a dolly offset. This setup rolls around extremely smoothly on reasonable flooring. Also, shown here in quick change mode.
Ronin mounted to Steadicam for unique "Trinity" mode style shot making.
Ronin is hard mounted to a rickshaw for smooth tracking shots on less then perfect surfaces.